Lili Reynaud-Dewar

Lili Reynaud-DewarI invited men into my hotel room and asked them very personal questions about their livesInstallation viewLayr Seilerstaette, Vienna, 2022

Lili Reynaud-Dewar
I invited men into my hotel room and asked them very personal questions about their lives
Installation view
Layr Seilerstaette, Vienna, 2022

Lili Reynaud-DewarI invited men into my hotel room and asked them very personal questions about their livesInstallation viewLayr Seilerstaette, Vienna, 2022

Lili Reynaud-Dewar
I invited men into my hotel room and asked them very personal questions about their lives
Installation view
Layr Seilerstaette, Vienna, 2022

 
Lili Reynaud-DewarRome, 1st and 2nd November 1975, 2019Installation viewPrix Marcel Duchamp, Centre Pompidou, Paris, 2021

Lili Reynaud-Dewar
Rome, 1st and 2nd November 1975, 2019
Installation view
Prix Marcel Duchamp, Centre Pompidou, Paris, 2021

Lili Reynaud-DewarRome, 1st and 2nd November 1975 (1/4), 2019Video, Color, 4K, Format H264 et ProRes 422, soundsubtitled French, English, Italian35:11 min

Lili Reynaud-Dewar
Rome, 1st and 2nd November 1975 (1/4), 2019
Video, Color, 4K, Format H264 et ProRes 422, sound
subtitled French, English, Italian
35:11 min

Lili Reynaud-DewarRome, 1er et 2 Novembre 1975 (2/4), 2019Video, Color, 4K, Format H264 et ProRes 422, soundsubtitled French, English, Italian32:25 min

Lili Reynaud-Dewar
Rome, 1er et 2 Novembre 1975 (2/4), 2019
Video, Color, 4K, Format H264 et ProRes 422, sound
subtitled French, English, Italian
32:25 min

Lili Reynaud-DewarRome, 1st and 2nd November 1975 (3/4), 2019Video, Color, 4K, Format H264 et ProRes 422, soundsubtitled French, English, Italian33:04 min

Lili Reynaud-Dewar
Rome, 1st and 2nd November 1975 (3/4), 2019
Video, Color, 4K, Format H264 et ProRes 422, sound
subtitled French, English, Italian
33:04 min

Lili Reynaud-DewarRome, 1er et 2 Novembre 1975 (4/4) , 2019Video, Color, 4K, Format H264 et ProRes 422, soundsubtitled French, English, Italian, Japanese41:40 min

Lili Reynaud-Dewar
Rome, 1er et 2 Novembre 1975 (4/4) , 2019
Video, Color, 4K, Format H264 et ProRes 422, sound
subtitled French, English, Italian, Japanese
41:40 min

Lili Reynaud-Dewar
Rome, 1st and 2nd November 1975, 2019 (excerpt)
Video, Color, 4K, Format H264 et ProRes 422, sound
subtitled French, English, Italian
35:12 min

 

Lili Reynaud-Dewar
Gruppo Petrolio, saison 1, 2022
Trailer
Trans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Lili Reynaud-DewarGruppo Petrolio, saison 1, 2022installation viewTrans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Lili Reynaud-Dewar
Gruppo Petrolio, saison 1, 2022
installation view
Trans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Photo: Gruppo Petrolio © MO.CO. Montpellier contemporain / Pauline Rosen-Cros

Lili Reynaud-DewarGruppo Petrolio, saison 1, 2022installation viewTrans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Lili Reynaud-Dewar
Gruppo Petrolio, saison 1, 2022
installation view
Trans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Photo: Gruppo Petrolio © MO.CO. Montpellier contemporain / Pauline Rosen-Cros

Lili Reynaud-DewarGruppo Petrolio, saison 1, 2022installation viewTrans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Lili Reynaud-Dewar
Gruppo Petrolio, saison 1, 2022
installation view
Trans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Photo: Gruppo Petrolio © MO.CO. Montpellier contemporain / Pauline Rosen-Cros

Lili Reynaud-DewarGruppo Petrolio, saison 1, 2022installation viewTrans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Lili Reynaud-Dewar
Gruppo Petrolio, saison 1, 2022
installation view
Trans(m)issions MO.CO. Hôtel des collections, Montpellier, 2022

Photo: Gruppo Petrolio © MO.CO. Montpellier contemporain / Pauline Rosen-Cros

Lili Reynaud-DewarUntitled (Autumn 2019), 2020 Aluminium140 x 50 x 72 cm

Lili Reynaud-Dewar
Untitled (Autumn 2019), 2020 
Aluminium
140 × 50 × 72 cm

Lili Reynaud-DewarI want all of you above the sun (if the snake), 2019Video still

Lili Reynaud-Dewar
I want all of you above the sun (if the snake), 2019
Video still

Lili Reynaud-DewarI want all of you above the sun (if the snake), 2019Video still

Lili Reynaud-Dewar
I want all of you above the sun (if the snake), 2019
Video still

Lili Reynaud-Dewar
I Want All Of The Above To Be The Sun (Villa Medici, Spring 2019), 2019 (excerpt)
HD video, color
30:09 min

Diedrich Diederichsen, (Essay)Lili Reynaud-Dewar: Interpretations, in: Lili Reynaud-Dewar (2019)

Lili Reynaud-DewarInstallation viewBeyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-Dewar
Installation view
Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-DewarBeyond the Land of Minimal Possessions (Monument to Joana Castilhos), 2018Glass, silk, lacquered metal193 x 100 cmBeyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-Dewar
Beyond the Land of Minimal Possessions (Monument to Joana Castilhos), 2018
Glass, silk, lacquered metal
193 × 100 cm
Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-DewarBeyond the Land of Minimal Possessions (Monument to Lili Reynaud-Dewar), 2018Glass, silk, lacquered metal193 x 100 cmBeyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-Dewar
Beyond the Land of Minimal Possessions (Monument to Lili Reynaud-Dewar), 2018
Glass, silk, lacquered metal
193 × 100 cm
Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-DewarInstallation viewBeyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-Dewar
Installation view
Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-DewarInstallation viewBeyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-Dewar
Installation view
Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-DewarBeyond the Land of Minimal Possessions (In the Car), 2018Single channel film00:04:20Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-Dewar
Beyond the Land of Minimal Possessions (In the Car), 2018
Single channel film
00:04:20
Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-DewarBeyond the Land of Minimal Possessions, 2018Single channel film01:21:00Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-Dewar
Beyond the Land of Minimal Possessions, 2018
Single channel film
01:21:00
Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-DewarBeyond the Land of Minimal Possessions, 2018Single channel film01:21:00Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-Dewar
Beyond the Land of Minimal Possessions, 2018
Single channel film
01:21:00
Beyond the Land of Minimal Possessions, Layr Seilerstaette, Vienna, 2019

Lili Reynaud-DewarInstallation viewLady to Fox, CLEARING, Brussels, 2018

Lili Reynaud-Dewar
Installation view
Lady to Fox, CLEARING, Brussels, 2018

Lili Reynaud-DewarLady to Fox, 2018VideostillLady to Fox, CLEARING, Brussels, 2018

Lili Reynaud-Dewar
Lady to Fox, 2018
Videostill
Lady to Fox, CLEARING, Brussels, 2018

Lili Reynaud-DewarInstallation viewLady to Fox, CLEARING, Brussels, 2018

Lili Reynaud-Dewar
Installation view
Lady to Fox, CLEARING, Brussels, 2018

Lili Reynaud-DewarInstallation viewLady to Fox, CLEARING, Brussels, 2018

Lili Reynaud-Dewar
Installation view
Lady to Fox, CLEARING, Brussels, 2018

Lili Reynaud-DewarInstallation viewTEETH, GUMS, MACHINES, FUTURE, SOCIETY, Monash University Museum of Art, Melbourne, 2018

Lili Reynaud-Dewar
Installation view
TEETH, GUMS, MACHINES, FUTURE, SOCIETY, Monash University Museum of Art, Melbourne, 2018

Lili Reynaud-DewarInstallation viewTEETH, GUMS, MACHINES, FUTURE, SOCIETY, Monash University Museum of Art, Melbourne, 2018

Lili Reynaud-Dewar
Installation view
TEETH, GUMS, MACHINES, FUTURE, SOCIETY, Monash University Museum of Art, Melbourne, 2018

Lili Reynaud-DewarInstallation viewThe Value of Freedom, Belvedere21, Vienna, 2018

Lili Reynaud-Dewar
Installation view
The Value of Freedom, Belvedere21, Vienna, 2018

Lili Reynaud-DewarInstallation viewThe Value of Freedom, Belvedere21, Vienna, 2018

Lili Reynaud-Dewar
Installation view
The Value of Freedom, Belvedere21, Vienna, 2018

Lili Reynaud-DewarSMALL TRAGIC OPERA OF IMAGES AND BODIES IN THE MUSEUM, 2017Glass, print180 x 60 x 5 cm

Lili Reynaud-Dewar
SMALL TRAGIC OPERA OF IMAGES AND BODIES IN THE MUSEUM, 2017
Glass, print
180 × 60 × 5 cm

Lili Reynaud-DewarSMALL TRAGIC OPERA OF IMAGES AND BODIES IN THE MUSEUM, 2017Glass, print180 x 60 x 5 cm

Lili Reynaud-Dewar
SMALL TRAGIC OPERA OF IMAGES AND BODIES IN THE MUSEUM, 2017
Glass, print
180 × 60 × 5 cm

Lili Reynaud-DewarInstallation viewBlind Faith: Between the Visceral and the Cognitive in Contemporary Art, Haus der Kunst, Munich, 2018

Lili Reynaud-Dewar
Installation view
Blind Faith: Between the Visceral and the Cognitive in Contemporary Art, Haus der Kunst, Munich, 2018

Lili Reynaud-DewarInstallation viewBlind Faith: Between the Visceral and the Cognitive in Contemporary Art, Haus der Kunst, Munich, 2018

Lili Reynaud-Dewar
Installation view
Blind Faith: Between the Visceral and the Cognitive in Contemporary Art, Haus der Kunst, Munich, 2018

Lili Reynaud-DewarInstallation viewTeeth, Gums, Machines, Future, Society, Vleeshal Markt, Middelburg, 2017

Lili Reynaud-Dewar
Installation view
Teeth, Gums, Machines, Future, Society, Vleeshal Markt, Middelburg, 2017

Lili Reynaud-DewarInstallation viewTeeth, Gums, Machines, Future, Society, Vleeshal Markt, Middelburg, 2017

Lili Reynaud-Dewar
Installation view
Teeth, Gums, Machines, Future, Society, Vleeshal Markt, Middelburg, 2017

Lili Reynaud-DewarInstallation viewTeeth, Gums, Machines, Future, Society, Vleeshal Markt, Middelburg, 2017

Lili Reynaud-Dewar
Installation view
Teeth, Gums, Machines, Future, Society, Vleeshal Markt, Middelburg, 2017

Lili Reynaud-DewarTEETH GUMS MACHINES FUTURE SOCIETY (DANCE IN VLEESHAL MIDDLEBURG), 2017Video Still00:06:25Teeth, Gums, Machines, Future, Society, Vleeshal Markt, Middelburg, 2017

Lili Reynaud-Dewar
TEETH GUMS MACHINES FUTURE SOCIETY (DANCE IN VLEESHAL MIDDLEBURG), 2017
Video Still
00:06:25
Teeth, Gums, Machines, Future, Society, Vleeshal Markt, Middelburg, 2017

Lili Reynaud-DewarSmall Tragic Opera of Images and Bodies in the Museum, 2017PerformanceKFDA, Brussels

Lili Reynaud-Dewar
Small Tragic Opera of Images and Bodies in the Museum, 2017
Performance
KFDA, Brussels

Lili Reynaud-DewarSmall Tragic Opera of Images and Bodies in the Museum, 2017PerformanceKFDA, Brussels

Lili Reynaud-Dewar
Small Tragic Opera of Images and Bodies in the Museum, 2017
Performance
KFDA, Brussels

Lili Reynaud-DewarInstallation viewMy Epidemic (Teaching Bjarne Melgaard's Class), Layr, Rome, 2017

Lili Reynaud-Dewar
Installation view
My Epidemic (Teaching Bjarne Melgaard's Class), Layr, Rome, 2017

Lili Reynaud-DewarMy Epidemic (Teaching Bjarne Melgaard's Class), 2015Mannequin, stand, plant35 x 25 x 170 cmMy Epidemic (Teaching Bjarne Melgaard's Class), Layr, Rome, 2017

Lili Reynaud-Dewar
My Epidemic (Teaching Bjarne Melgaard's Class), 2015
Mannequin, stand, plant
35 × 25 × 170 cm
My Epidemic (Teaching Bjarne Melgaard's Class), Layr, Rome, 2017

Lili Reynaud-DewarInstallation viewTEETH, GUMS, MACHINES, FUTURE, SOCIETY, Museion, Bolzano, 2017

Lili Reynaud-Dewar
Installation view
TEETH, GUMS, MACHINES, FUTURE, SOCIETY, Museion, Bolzano, 2017

Lili Reynaud-DewarInstallation viewTEETH, GUMS, MACHINES, FUTURE, SOCIETY, Museion, Bolzano, 2017

Lili Reynaud-Dewar
Installation view
TEETH, GUMS, MACHINES, FUTURE, SOCIETY, Museion, Bolzano, 2017

Lili Reynaud-DewarInstallation viewTEETH, GUMS, MACHINES, FUTURE, SOCIETY, Museion, Bolzano, 2017

Lili Reynaud-Dewar
Installation view
TEETH, GUMS, MACHINES, FUTURE, SOCIETY, Museion, Bolzano, 2017

Lili Reynaud-DewarInstallation viewTEETH GUMS MACHINES FUTURE SOCIETY, Kunstverein in Hamburg, Hamburg, 2016

Lili Reynaud-Dewar
Installation view
TEETH GUMS MACHINES FUTURE SOCIETY, Kunstverein in Hamburg, Hamburg, 2016

Lili Reynaud-DewarTEETH, GUMS, MACHINES, FUTURE, SOCIETY (Darius), 2016Custom-made grill, wasteDimensions variable

Lili Reynaud-Dewar
TEETH, GUMS, MACHINES, FUTURE, SOCIETY (Darius), 2016
Custom-made grill, waste
Dimensions variable

Lili Reynaud-DewarInstallation viewTEETH GUMS MACHINES FUTURE SOCIETY, Kunstverein in Hamburg, Hamburg, 2016

Lili Reynaud-Dewar
Installation view
TEETH GUMS MACHINES FUTURE SOCIETY, Kunstverein in Hamburg, Hamburg, 2016

Lili Reynaud-DewarTEETH, GUMS, MACHINES, FUTURE, SOCIETY (Darius), 2016Custom-made grill, wasteDimensions variable

Lili Reynaud-Dewar
TEETH, GUMS, MACHINES, FUTURE, SOCIETY (Darius), 2016
Custom-made grill, waste
Dimensions variable

Lili Reynaud-DewarSafe Space No°1, 2016HD video, black and white00:15:56

Lili Reynaud-Dewar
Safe Space No°1, 2016
HD video, black and white
00:15:56

Lili Reynaud-DewarSafe Space No°1, 2016HD video, black and white00:15:56

Lili Reynaud-Dewar
Safe Space No°1, 2016
HD video, black and white
00:15:56

Lili Reynaud-DewarInstallation viewSafe Space, Layr Seilerstaette, Vienna, 2016

Lili Reynaud-Dewar
Installation view
Safe Space, Layr Seilerstaette, Vienna, 2016

Lili Reynaud-DewarInstallation viewSafe Space, Layr Seilerstaette, Vienna, 2016

Lili Reynaud-Dewar
Installation view
Safe Space, Layr Seilerstaette, Vienna, 2016

Lili Reynaud-DewarSafe Space, 2016Curtain, digital print on cotton400 x 180 cmSafe Space, Layr Seilerstaette, Vienna, 2016

Lili Reynaud-Dewar
Safe Space, 2016
Curtain, digital print on cotton
400 × 180 cm
Safe Space, Layr Seilerstaette, Vienna, 2016

Lili Reynaud-DewarInstallation viewI sing the body electric, Clearing, New York, 2016

Lili Reynaud-Dewar
Installation view
I sing the body electric, Clearing, New York, 2016

Lili Reynaud-DewarInstallation viewI sing the body electric, Clearing, New York, 2016

Lili Reynaud-Dewar
Installation view
I sing the body electric, Clearing, New York, 2016

Lili Reynaud-DewarInstallation viewI sing the body electric, Clearing, New York, 2016

Lili Reynaud-Dewar
Installation view
I sing the body electric, Clearing, New York, 2016

Lili Reynaud-DewarInstallation viewAll the World's Futures, 56th Venice Biennale, Venice, 2015

Lili Reynaud-Dewar
Installation view
All the World's Futures, 56th Venice Biennale, Venice, 2015

Lili Reynaud-DewarInstallation viewAll the World's Futures, 56th Venice Biennale, Venice, 2015

Lili Reynaud-Dewar
Installation view
All the World's Futures, 56th Venice Biennale, Venice, 2015

Lili Reynaud-DewarInstallation viewAll the World's Futures, 56th Venice Biennale, Venice, 2015

Lili Reynaud-Dewar
Installation view
All the World's Futures, 56th Venice Biennale, Venice, 2015

Lili Reynaud-DewarInstallation viewAll the World's Futures, 56th Venice Biennale, Venice, 2015

Lili Reynaud-Dewar
Installation view
All the World's Futures, 56th Venice Biennale, Venice, 2015

Lili Reynaud-DewarMy Epidemic (Botta), 2015HD video00:02:34

Lili Reynaud-Dewar
My Epidemic (Botta), 2015
HD video
00:02:34

Lili Reynaud-DewarMy Epidemic (Biblioteca), 2015HD video00:04:00

Lili Reynaud-Dewar
My Epidemic (Biblioteca), 2015
HD video
00:04:00

Lili Reynaud-DewarInstallation viewMy Epidemic (Teaching Bjarne Melgaard's Class), Audain Gallery, SFU, Vancouver, 2015

Lili Reynaud-Dewar
Installation view
My Epidemic (Teaching Bjarne Melgaard's Class), Audain Gallery, SFU, Vancouver, 2015

Lili Reynaud-DewarInstallation viewMy Epidemic (Teaching Bjarne Melgaard's Class), Audain Gallery, SFU, Vancouver, 2015

Lili Reynaud-Dewar
Installation view
My Epidemic (Teaching Bjarne Melgaard's Class), Audain Gallery, SFU, Vancouver, 2015

Lili Reynaud-DewarInstallation viewIndependent New York, New York, 2015

Lili Reynaud-Dewar
Installation view
Independent New York, New York, 2015

Lili Reynaud-DewarInstallation viewIndependent New York, New York, 2015

Lili Reynaud-Dewar
Installation view
Independent New York, New York, 2015

Lili Reynaud-DewarMy Epidemic, 2015Digital print on silk scarf, glass panels, duct tape172 x 85 cm

Lili Reynaud-Dewar
My Epidemic, 2015
Digital print on silk scarf, glass panels, duct tape
172 × 85 cm

Lilii Reynaud-DewarMy Epidemic, 2015Digital print on silk scarf90 x 90 cm

Lilii Reynaud-Dewar
My Epidemic, 2015
Digital print on silk scarf
90 × 90 cm

Lili Reynaud-DewarMy Epidemic, 2015HD videoca. 00:07:00

Lili Reynaud-Dewar
My Epidemic, 2015
HD video
ca. 00:07:00

Lili Reynaud-DewarInstallation viewLive Through That?!, New Museum, New York, 2014

Lili Reynaud-Dewar
Installation view
Live Through That?!, New Museum, New York, 2014

Lili Reynaud-DewarInstallation viewLive Through That?!, New Museum, New York, 2014

Lili Reynaud-Dewar
Installation view
Live Through That?!, New Museum, New York, 2014

Lili Reynaud-DewarInstallation viewLive Through That?!, New Museum, New York, 2014

Lili Reynaud-Dewar
Installation view
Live Through That?!, New Museum, New York, 2014

Lili Reynaud-DewarInstallation viewLive Through That?!, New Museum, New York, 2014

Lili Reynaud-Dewar
Installation view
Live Through That?!, New Museum, New York, 2014

Lili Reynaud-DewarLive Through That?! (Une Histoire, Centre Pompidou)Video00:07:40

Lili Reynaud-Dewar
Live Through That?! (Une Histoire, Centre Pompidou)
Video
00:07:40

Lili Reynaud-DewarLive Through That?!Suit, shirt, foam, cut out photograph, duct tape and glass165 x 75 x 2.5 cm

Lili Reynaud-Dewar
Live Through That?!
Suit, shirt, foam, cut out photograph, duct tape and glass
165 × 75 × 2.5 cm

Lili Reynaud-DewarInstallation viewLive Through That?!, Layr An der Hülben, Vienna, 2014

Lili Reynaud-Dewar
Installation view
Live Through That?!, Layr An der Hülben, Vienna, 2014

Lili Reynaud-DewarLive Through That?!Video00:38:14

Lili Reynaud-Dewar
Live Through That?!
Video
00:38:14

Lili Reynaud-DewarInstallation viewLive Through That?!, Layr An der Hülben, Vienna, 2014

Lili Reynaud-Dewar
Installation view
Live Through That?!, Layr An der Hülben, Vienna, 2014

Lili Reynaud-DewarLive Through That?!, 2014Wood, fabric, cotton, bedsheet, table bases, speaker, amplifier, ink, CD player and CD

Lili Reynaud-Dewar
Live Through That?!, 2014
Wood, fabric, cotton, bedsheet, table bases, speaker, amplifier, ink, CD player and CD

Lili Reynaud-DewarInstallation viewLive Through That?!, Layr An der Hülben, Vienna, 2014

Lili Reynaud-Dewar
Installation view
Live Through That?!, Layr An der Hülben, Vienna, 2014

Lili Reynaud-DewarLive Through That?!Video00:05:14

Lili Reynaud-Dewar
Live Through That?!
Video
00:05:14

Lili Reynaud-DewarInstallation viewI am intact and I Don't care, 12th Biennale de Lyon, Lyon, 2013

Lili Reynaud-Dewar
Installation view
I am intact and I Don't care, 12th Biennale de Lyon, Lyon, 2013

Lili Reynaud-DewarInstallation viewI am intact and I Don't care, 12th Biennale de Lyon, Lyon, 2013

Lili Reynaud-Dewar
Installation view
I am intact and I Don't care, 12th Biennale de Lyon, Lyon, 2013

Lili Reynaud-DewarWhy should our bodies end at the skin, 2012Video00:13:00

Lili Reynaud-Dewar
Why should our bodies end at the skin, 2012
Video
00:13:00

Lili Reynaud-DewarWhy should our bodies end at the skin, 2012Video00:13:00

Lili Reynaud-Dewar
Why should our bodies end at the skin, 2012
Video
00:13:00

Lili Reynaud-DewarWhy should our bodies end at the skin?, 2012Plaster, wood, prints, speakers, amplifier, videoSpeakers: 122 x 32.5 x 32.5 cm; 122 x 26 x 26 cm; 100 x 26 x 26 cm

Lili Reynaud-Dewar
Why should our bodies end at the skin?, 2012
Plaster, wood, prints, speakers, amplifier, video
Speakers: 122 × 32.5 × 32.5 cm; 122 × 26 × 26 cm; 100 × 26 × 26 cm

Lili Reynaud-DewarInstallation viewI'M INTACT AND I DON'T CARE, Clearing Gallery, NY, 2013

Lili Reynaud-Dewar
Installation view
I'M INTACT AND I DON'T CARE, Clearing Gallery, NY, 2013

Lili Reynaud-DewarI am intact and I don't care, 2013Fabric, bleach, glue, plywood200 x 50 x 8 cm

Lili Reynaud-Dewar
I am intact and I don't care, 2013
Fabric, bleach, glue, plywood
200 × 50 × 8 cm

Lili Reynaud-DewarI am intact and I don't care, 2013Fabric, bleach, glue, plywood200 x 50 x 8 cm

Lili Reynaud-Dewar
I am intact and I don't care, 2013
Fabric, bleach, glue, plywood
200 × 50 × 8 cm

Lili Reynaud-Dewar
Lili Reynaud-DewarLive Through That?!, 2014Installation view

Lili Reynaud-Dewar
Live Through That?!, 2014
Installation view

Lili Reynaud-DewarInstallation viewSome Objects Blackened and a Body too, Mary May, Glasgow, 2011

Lili Reynaud-Dewar
Installation view
Some Objects Blackened and a Body too, Mary May, Glasgow, 2011

Lili Reynaud-DewarSome objects blackened and a body too, 2011Plinth, make-up, polystyrene, ceramicDimensions variable

Lili Reynaud-Dewar
Some objects blackened and a body too, 2011
Plinth, make-up, polystyrene, ceramic
Dimensions variable

Lili Reynaud-DewarSome objects blackened and a body too, 2011Plinth, make-up, polystyrene155 x 52 x 36 cm

Lili Reynaud-Dewar
Some objects blackened and a body too, 2011
Plinth, make-up, polystyrene
155 × 52 × 36 cm

Lili Reynaud-DewarInstallation viewCounter-Production, Generali Foundation, Vienna, 2012

Lili Reynaud-Dewar
Installation view
Counter-Production, Generali Foundation, Vienna, 2012

Lili Reynaud-DewarI don't know what a conceptual artist looks like 1, 2012HD video00:02:09

Lili Reynaud-Dewar
I don't know what a conceptual artist looks like 1, 2012
HD video
00:02:09

Lili Reynaud-DewarI don't know what a conceptual artist looks like 1, 2012HD video00:02:09

Lili Reynaud-Dewar
I don't know what a conceptual artist looks like 1, 2012
HD video
00:02:09

Lili Reynaud-DewarInterpretation Drawing, Little I's Love You, 2010Colored pencil on cardboard320 x 240 cm

Lili Reynaud-Dewar
Interpretation Drawing, Little I's Love You, 2010
Colored pencil on cardboard
320 × 240 cm

Lili Reynaud-DewarInstallation viewCeci est ma maison / This is my place, le Magasin, Grenoble, 2012

Lili Reynaud-Dewar
Installation view
Ceci est ma maison / This is my place, le Magasin, Grenoble, 2012

Lili Reynaud-DewarInstallation viewCeci est ma maison / This is my place, le Magasin, Grenoble, 2012

Lili Reynaud-Dewar
Installation view
Ceci est ma maison / This is my place, le Magasin, Grenoble, 2012


Lili Reynaud-Dewar

*1975, La Rochelle, France
lives and works in Grenoble, France
Professor at the Haute Ecole d‘Art et de Design, Genève
Co-Founder of Art and Entertainment Feminist magazine Petunia

Education and Teaching

  • 2001-03

    Master in Fine Art, Glasgow School of Art (UK)

  • 1996-1998

    Master in Public Law and State Theory, Paris/Panthéon Sorbonne, Paris (FR)

Solo Exhibitions

  • 2023

    Palais de Tokyo, Paris (FR) (upcoming)
    Musée d’Art Contemporain de Montréal (MACM) in Montréal (CAN) (upcoming)

  • 2022

    Layr, Vienna (upcoming)
    Rome, November 1st and 2nd, 1975, Clearing, New York (NY)

  • 2021

    Musée d’Art Contemporain de Montréal (MACM), Montréal (QC)

  • 2019

    Beyond the Land of Minimal Possessions, Galerie Emanuel Layr, Vienna (AT)
    Oops, I think I may have lost my lighter somewhere on the ground...Could someone please be so kind to come here and help me find it?, Clearing, New York (US)

  • 2018

    Teeth, Gums, Machines, Future, Society, MUMA, Melbourne (AU)
    Oops... I think I may have lost my lighter somewhere on the ground. Could someone please come down here and help me find it?, Kunsthaus Bregenz
    Billboards, Bregenz (AT)
    Lady To Fox, Clearing, Brussels (BEL)
    Beyond the Land of Minimal Possessions, Atelier Hèrmes, Seoul (KR)
    My Epidemic (A Body as Public as a Book Can Be), Asakusa, Tokyo (JP)

  • 2017

    Beyond the Land of Minimal Possession, Artpace, San Antonio, Texas (US)
    Frieze London, with Galerie Emanuel Layr, London (UK)
    My Epidemic (Teaching Bjarne Melgaard ’ s class), Emanuel Layr Rome (IT)
    Teeth, Gums, Machines, Future, Society, de Vleeshal, Middelburg (NL)
    Teeth, Gums, Machines, Future, Society, Museion, Bolzano (IT)

  • 2016

    Owen Piper and Lili Reynaud-Dewar on how to talk dirty and influence people, SALTS, Basel (CH)
    Irreversible Intrusion, together with Isaac Julien chi K11 Art Space, Shanghai (CN)
    Teeth Gums Machines Future Society, Galerie Kamel Mennour, Paris (FR)
    Teeth Gums Machines Future Society, New Settings, Théâtre des amandiers, Nanterre (performance) (FR)
    I sing the body electric, CAM Saint-Louis, Saint-Louis MO (US)
    Safe Space, Galerie Emanuel Layr, Vienne (AT)
    Teeth, Gums, Machines, Future, Society, Kunstverein Hamburg, Hamburg (DE)
    Galerie Emanuel Layr, Vienna (AT)
    I Sing The Body Electric, Clearing, New York (US)

  • 2015

    My Epidemic (Teaching Bjarne Melgaard‘s class), Audain Gallery, Simon Fraser University, Vancouver (CA)
    Independent New York, Galerie Emanuel Layr, New York (US)
    Beauty Codes. Order/disorder/chaos, Prologue, CURA.BASEMENT, Rome (IT)

  • 2014

    Live Through That?! New Museum, New York (US)
    Live Through That?! Rongwrong, Amsterdam (NL)
    Vivre avec ça ?! Galerie Kamel Mennour, Paris (FR)
    Liste 19, w. Julian Bismuth, Galerie Emanuel Layr, Basel (CH)
    My Epidemic (a body as public as a book can be), CLEARING Brussels (BE)
    Live Through That ?!! Index Fondation for Contemporary Arts, Stockholm (SE)
    Live Through That ?!! Emanuel Layr, Vienna (AT)
    Live Through That ?!! Outpost, Norwich (UK)

  • 2013

    Enseigner comme des adolescents - Teaching as teenagers, (with her students from the eponymous seminar she leads at HEAD Geneva) Le Consortium, Dijon (FR)
    I am intact and I don‘t care, Clearing, New York (US)
    I am intact and I don‘t care. 21er Raum, Belvedere, Vienna (AT)

  • 2012

    Interpretation, Performa, Fondation Calder, New York (US)
    What a Century of hands! I shall never have my hand. Afterwards domesticity leads too far, Karma International, Zurich (CH)
    Enseigner comme des adolescents - Teaching as teenagers, (with her students from the eponymous seminar she leads at HEAD geneva) FORDE, Genève (CH)
    Fours Walls Speaking of Revolt, Media and Beauty, Serpentine Cinema, London (performance) (UK)
    Ceci est ma maison / This is my place, Magasin, Grenoble (FR)

  • 2011

    Fours Walls Speaking of Revolt, Media and Beauty, Tramway theater, Glasgow (performance) (UK)
    Some objects blackened and body too,Mary Mary, Glasgow (UK)
    ‚Cleda‘s Chairs,‘ Bielefeld Kunstverein, Bielefeld (DE)

  • 2010

    Interpretation, Kunsthalle Basel, Basel (CH)
    Interpretation, 1m3, Lausanne (CH)
    Structures de Pouvoir, Rituels et Sexualité chez les sténodactylos Européennes, Galerie Kamel Mennour, Paris (FR)
    Antiteater, Frac Champagne-Ardenne, Reims (FR)

  • 2009

    En réalité le sphinx est-il une annexe du monument ou le monument une annexe du sphinx ? Centre culturel Bellegarde, Toulouse (performance) (FR)
    Power Structures, Rituals & Sexuality of the European Shorthand-Typists, Mary Mary, Glasgow (UK)
    The Pursuit of Pleasure (with Latifa Echakhch), Barriera Fundazione, Turin (IT)
    Black Mariah, Centre d‘art Parc Saint-Leger, Pouges les Eaux (FR)

  • 2008

    LOVE = U.F.O, Lili Reynaud-Dewar, FRAC, Bordeaux (FR)
    The Race, Galleria Civica d‘Arte Contemporanea di Siracusa, Montevergini Sicily (IT)

  • 2006

    The Center & Eyes, Zoo Galerie, Nantes (FR)
    (Looking Through A) Glass Onion, Mary Mary offsite project, 130 Bridgegate, Glasgow (UK)
    Power, Corruption & Lies, Galerie RLBQ, Marseilles (FR)

  • 2005

    Eggnogs & Flips, Public, Paris (collaborative project with Fiona Jardine) (FR)

  • 2004

    Grand Decollete (collaborative project with Daniel Dewar), Mary Mary Project Space, Glasgow (UK)

  • 2002

    Jet-Trash (collaborative Project with Owen Piper), Where The Monkey Sleeps, Glasgow (UK)

Selected Group Exhibitions

  • 2022

    Bergen Assembly, with Saâdane Afif as convener, Bergen (NO) (upcoming)
    OPEN, Heidi Horten Collection, Vienna (AT)
    La Panacée MO.CO., Montpellier, France (FR)

  • 2021

    In-Situ works, Bourse de Commerce - Pinault Collection, Paris (FR)
    Prix Marcel Duchamp, Centre Pompidou, Paris (FR)
    Wild Frictions: Politische Poesien der Störung, Kunstraum Kreuzberg Berlin (DE)
    OFTEN VARY NEVER CHANGE, C L E A R I N G, New York (US)
    Grand Ménage, C L E A R I N G, Paris (FR)
    Superamas, C L E A R I N G, Brussels (BE)

  • 2020

    CYBERNETICS OF THE POOR / Kunsthalle Wien, Vienna (AT)
    CYBERNETICS OF THE POOR / Tabakalera, San Sebastian (ES)
    In aller Munde. Von Pieter Bruegel bis Cindy Sherman, Wolfsburg (DE)
    Fondazione Sandretto Re Rebaudengo (IT)

  • 2019

    Okayama Art Summit, curated by Pierre Huyghes (JP)
    Love and Ethnology. The Colonial Dialectic of Sensitivity, Haus der Kulturen der Welt, Berlin (DE)
    YOU, Musée d‘Art Moderne, Paris (FR)
    Futur, Ancien, Fugitif, Palais de Tokyo, Paris (FR)
    Stranger Approaching, Bridget Donahue, New York (US)
    United by AIDS— An Exhibition about Loss, Remembrance, Activism and Art in Response to HIV/AIDS, Migros Museum of Contemporary Art, Zürich (CH) (August)
    Le vent se lève, Villa Medici, Rome (IT)
    Body in Pieces, Kai 10 / Arthena Foundation, Düsseldorf (DE)
    Schengen Baroque, Converso, San Paolo Converso, Milan (IT)
    Who Cares, New Galerie, Paris (FR)
    100 artists in the city – ZAT 2019, Mo.Co, Montpellier (FR)
    DOG DAYS, C L E A R I N G, New York (US)
    L’âge de raison, C L E A R I N G, Brussels (BE)

  • 2018

    Strange Days: Memories of the Future, The New Museum at The Store X, London (UK)
    The Value of Freedom, Belvedere 21, Vienna (AT)
    MOVE, Centre Pompidou, Paris (FR)
    A Letter in Scarlet, Frac Ile-de-France, Le Plateau, Paris (FR)
    Cruising Pavilion, Spazio Punch, Venice (IT)
    Dancing with Myself, Punte Della Dogana, Venice (IT)
    Blind Faith, Haus der Kunst, Munich (DE)

  • 2017

    Montag ou la bibliothèque à venir, FRAC France-Comte (FR)
    Performance! Les 40 ans du Centre Pompidou, Ancien Tri Postal de Lille (FR)
    Lofoten International Art Festival (NO)
    Hard to Picture, A Tribute to Ad Reinhardt, MUDAM Luxembourg (LUX)
    Dirty Love Autopsy, Shanaynay, Paris (FR)
    The Absent Museum, WIELS, Brussels (BE)
    Vertical Gardens, Antenna Space, Shanghai (CN)
    Ministry Of Internal Affairs, Intimacy As Text, Museum of Modern Art, Warsaw (PL)

  • 2016

    Time will Tell. A selection of artists from the Ricard Foundation Prize, Museo El Eco, Mexico City (MX)
    The Eighth Climate, 8th Gwangju Biennale (KR)
    Fireflies in the night, Stavros Niarchos Foundation Cultural Center, Athens (GR)
    Pure Fiction, Marian Goodman, Paris (FR)
    It can howl, Atlanta Contemporary, Atlanta (US)

  • 2015

    The 31st Biennial of Graphic Arts: Over you/you, Ljubljana (SI)
    The Freedom Principle: Experiments in Art and Music, 1965 to Now, Museum of Contemporary Art Chicago (US)
    LISTE Basel 20 - Stano Filko, Benjamin Hirte, Lili Reynaud-Dewar and Ramaya Tegegne, Basel (CH)
    24/7. the human condition, Vienna Biennale 2015: Ideas for Change, MAK Museum für Angewandte Kunst / Gegenwartskunst, Vienna (AT)
    56th Biennale di Venezia, All the World‘s Futures, curated by Okwui Enwezor, Venice (IT)
    Beauty Codes. Order/disorder/chaos, Act I, Fondazione Guiliani, Rome, (IT)
    Beauty Codes. Order/disorder/chaos, Act II, Kunsthalle Lissabon, Lisbon (PT)

  • 2014

    All that falls, Palais de Tokyo, curated by Gérard Wajcman and Marie de Brugerolle, Paris (FR)
    The crime was almost perfect, curated by Cristina Ricupero, PAC - Padiglione d‘Arte Contemporanea, Milan (IT)
    Soleil Politique, Museion, Bolzano (IT)
    Une Histoire, Nouvel accrochage, Centre Pompidou, Paris (FR)
    The Issues of Our Time 3 - More Issues Less Time, curated by Castillo Corrales, Artist Book Space, New York (US)
    Interprète, Le Plateau, Paris (FR)
    Procession, CAPC, Bordeaux (FR)
    On Ambiguity and Other Forms To Play With, The Invisible Hand: Curating as Gesture, 2nd Cafam biennial, CAFAM, Beijing (CN)
    Enseigner comme des adolescents - Teaching as teenagers, (with her students from the eponymous seminar she leads at HEAD geneva) Marrakech Biennial, Marrakech (MA)
    Quand les formes sont attitudes, 40mcube, Rennes (FR)
    The crime was almost perfect, Witte de With, Rotterdam (NL)
    Trocadero, Nesrin Esirtgen Collection Art Space, Istanbul (TR)

  • 2013

    The Fifth Dimension, Logan Center for the Arts, Chicago (US)
    The Shadows Took Shape, Studio Museum Harlem, New York (US)
    Une Odyssée, 30 ans du Frac Champagne Ardenne, Pommery, Reims (FR)
    Frieze Projects 2013, London (UK)
    An Anatomical Chart of Love Pains, The Model, Sligo (IE)
    Lyon Biennial, Lyon (FR)
    Stand In (Or A Glass of Milk), Public Fiction, Los Angeles (US)
    La vie matérielle, Prix Ricard, Foundation Ricard, Paris (FR)
    ‚Pro-choice‘ at Kunsthalle Freiburg (FR)
    Otherwise Unexplained Fires, Malmo Konsthall (SE)
    The Angel of History, Ecole des Beaux Arts de Paris, Paris (FR)
    Whileaway, Konsthall Oslo, Norway (NO)
    An Anatomical Chart of Love Pains, The Model, Sligo (IR)
    The Magic of the State, Beirut, Cairo (EG)
    The Magic of the State, Lisson Gallery London (UK)
    Suspicious Minds, curated by Cristina Ricupero, Galeria Vermehlo, Sao Paulo (BR)

  • 2012

    The Body Argument curated by Florence Derieux,Galerie Emanuel Layr, Vienna (AT)
    Intense Proximité, La Triennale 2012 (FR)
    From the Beach to the Moon, Luma Foundation, Arles (FR)
    Counter-production, Generali Foundation, Vienna (AT)
    In fifteen minutes every one will be in the future, an Opera, Ancient Bath, Plovdiv (BG)
    Timewave Zero, Ursula Blickle Foundation, Karichtal (DE)

  • 2011

    The Château, CAPC musée d‘art contemporain de Bordeaux, Bordeaux (FR)
    Sculpture is three dimensional work... Johan Koenig, Berlin (DE)
    Jean Genet, Nottingham Contemporary, Nottingham (UK)
    The End of Money, Witte de With, Rotterdam (NL)
    Madam Realism, Marres Centre for Contemporary Art and Culture, Maastricht (NL)

  • 2010

    The Discrete Charme of the Blind Spot, Westfälischer Kunstverein, Münster (DE)
    Scene Shifts, Bonniers Konsthall / The Royal Dramatic Theater, Stockholm (SE)
    The Morality Series, Of Facts and Fables, Witte de With, Rotterdam (NL)
    The Morality Series - Performance programme, Witte de With, Rotterdam (NL)

  • 2009

    Elles@centrepompidou, Centre Pompidou, Paris (FR)
    Je n‘étais pas qu‘une simple chimère, SBC gallery, Montréal (CAN)
    The Pursuit of Pleasure (with Latifa Echakhch), Barriera Fondazione, Turin (IT)
    La Suite, Air de Paris, Paris (FR)
    Born under a bad sign, Memphis residency & exhibition (US)
    Kerhaus-Abschied von Stabilen Wanden, Westfälischer Kunstverein, Münster (DE)
    Les Formes Féminines, Triangle Galerie de la Friche Belle de Mai, Marseille (FR)
    Revolver, Coco Kunstverein, Vienna (AT)
    Latifa Echakhch / Lili Reynaud-Dewar, Karma International at James Fuentes, New York (US)
    Fugues (curated by Latifa Echakhch), Galerie Hussenot, Paris (FR)

  • 2008

    Printemps de Septembre, Toulouse - performance (FR)
    Prix Ricard, Fondation d‘entreprise Ricard, Paris (FR)
    Explorations in French psychedelia 1968, CAPC, Bordeaux (FR)
    5th Berlin Biennale, Berlin (DE)

  • 2007

    ‚00s, the story of a decade that has not yet been named‘, 9th Lyon Biennial 2007 (FR)
    Sweet & Extradry, Circuit, Lausanne (CH)
    Utramoderne, Hall Paul Wurth, Luxembourg / La Passerelle, Brest (FR)
    Freak Show, Museum of Contemporary Art, Lyon (FR)
    Le Syndrome de Broadway, Centre d‘art Parc Saint Leger (FR)
    White Sabbath - Lili Reynaud-Dewar / Michelle Naismith, Galerie LH, Paris (FR)
    Lili Reynaud-Dewar / Frank Eon, Cortex Athletico, Bordeaux (FR)

  • 2006

    Berlin-Paris: Affinites- Michael Beutler / Stefan Muller / Lili Reynaud-Dewar / Alexander Wolff, Jousse Entreprise, Paris (FR)
    La Fabrique, Galerie AK28, Stockholm (SE)
    Parcours Contemporain, Le Plateau et les jardins de la Villette Hradacany, La Generale, Paris (FR)
    Rachel Tiplady, Musee des Beaux Arts de Nantes (FR)
    Madame la baronne etait plutot manieree, assez rococo et totalement baroque
    (A portrait in 3 shows, curated by Emilie Renard) Parts 1, 2 & 3,
    Maison Populaire de Montreuil, Centre d‘art Mira Phalaina, Paris (FR)

  • 2005

    Acid Rain, Glassbox & Galerie Michel Rein, Paris (FR)

  • 2004

    Glassbox & Friends, Glassbox, Paris (FR)
    Its Hip to be Square, Zoogalerie, Nantes (FR)
    Hyperstyle, Loop, Berlin (DE)
    Oasis, Glassbox, Paris (FR)

  • 2003

    MFA Group show, Tent, Witt de Witte, Rotterdam (NL)
    MFA Group show, Tramway, Glasgow (UK)
    Busco Similar, Collective Gallery, Edinburgh (UK)

  • 2002

    You Never Know, Project Rooms, Glasgow (UK)

Performances and Screenings

  • 2017

    TEETH GUMS MACHINES FUTURE SOCIETY & other films, Screenings, Tate Modern, London (UK)
    Small Tragic Opera of Images and Bodies in the Museum, Performance, Kunstenfestivaldesarts, Brussels (BE)
    TEETH GUMS MACHINES FUTURE SOCIETY, Screening, Villa Medici, Rome (IT)

  • 2014

    Prospectif Cinema, Centre Pompidou, Paris (FR)

  • 2012

    Four Walls Speaking of Revolt Media and Beauty, Serpentine Cinema: Cinact, The Gate Cinema, London (UK)

  • 2011

    Four Walls Speaking of Revolt Media and Beauty, Tramway
    Interpretation, Calder Foundation, New York (US)
    Four Walls Speaking of Revolt Media and Beauty, Nottingham Contemporary (UK)

  • 2009

    Interpretation, 1M3, Lausane (CH)

  • 2008

    En Réalité, le Sphinx est-il une annexe du monument, ou le Monument une annexe du Sphinx? Printemps de Septembre, Toulouse (FR)
    In Every Room There Is The Ghost of Sex, as part of 5th Berlin Biennale, Schinkel Pavilion, Berlin (DE)
    The Race, Montevergini Galleria Civica d‘arte contemporanea di Siracusa (FR)
    Love=UFO, Frac Aquitaine, Bordeaux (FR)

  • 2007

    The Face of the Four, Circuit, Lausanne (CH)

  • 2006

    The Center & the eyes, Zoogalerie, Nantes (FR)
    Queen Mother nanny of the Mountains, Maison Populaire de Montreuil, Paris (FR)

Awards

  • 2021

    Prix Marcel Duchamp (FR)

Bibliography (catalogues & monographies)

  • 2020

    Cybernetics of the Poor, exhibition catalogue edited by Diedrich Diederichsen and Oier Etxebarria, Tabakalera and Kunsthalle Wien

  • 2019

    Lili Reynaud-Dewar, Artist Monograph Series, Monograph, Phaidon, Diederichsen Diedrich, Lebovici Elisabeth, Sczeczwyk Monika, edited by Michele Robecchi.
    Futur, Ancien, Fugitif, une scène française, Magazine PALAIS #30, exhibition magazine published by Palais de Tokyo, Paris, 2019
    Love and Ethnology, The Colonial Dialectic of Sensitivity (after Hubert Fichte), exhibition catalogue edited by Diedrich Diederichsen, Anselm Franke, and Haus der Kulturen der Welt, published by Sternberg Press, Haus der Kulturen der Welt, Berlin, 2019
    You, OE uvres de la collection Lafayette Anticipations, exhibition catalogue published by éditions Paris Musées, Musée d’ Art Moderne, Paris, 2019
    If the Snake, exhibition catalogue edited by Pierre Huygue and Anne Stenne, design by de Valence, Okayama Art Summit 2019, Japan, 2019
    United By AIDS. An Anthology on Art in response to HIV / AIDS, catalogue exhibition edited by Raphael Gygax and Heike Munder, published by Scheidegger & Spiess, Migros Museum, Zurich, 2019
    Body in Pieces, exhibition catalogue published by Spector Books, KAI 10 | Arthena Foundation, Düsseldorf, 2019

  • 2018

    Dancing with Myself, exhibition catalogue edited by Marsilio Editori, Punte della Dogana, Venice, Italy, 2018.
    The Value of Freedom, exhibition catalogue edited by Stella Rollig, Severin Dünser, Belvedere 21, Vienna, Austria, 2018.
    Blind Faith, exhibition catalogue edited by Anna Schneider, Haus der Kunst, Munich, 2018
    Teeth, Gums, Machines, Future, Society, Monograph, Hatje Cantz, 2018
    Strange Days: Memories of the Future, exhibition catalogue published by The Store X and New Museum, The Store X, London, 2018

  • 2017

    500 Self-Portraits, Julian Bell, Phaidon, 2017
    The Absent Museum, exhibition catalogue edited by Dirk Snauwaert, Wiels, Bruxelles, 2017
    L‘esprit du Bauhaus, exhibition catalogue, Musée des arts Décoratifs, Paris, 2017

  • 2016

    Social Medium: Artists Writing, 2000-2015, Jennifer Liese ed., Paper Monument, New York, 2016
    The Force of Photography, Works from The Museion Collection, exhibition catalogue edited by Letizia Regalia, Museion, Bolzano, 2016
    Soleil Politique, exhibition catalogue edited by Pierre Bal Blanc, Paraguay Press, Paris, 2016.
    Friedrich Kiesler : Life Visions, exhibition catalogue edited by Christoph Thun-Hohenstein, Dieter Bogner, Maria Lind, and Bärbel Vischer, MAK Vienna/ Birkhäuser Verlag, Basel, 2016.

  • 2015

    The Freedom Principle, Experiments in Art and Music, 1965 to Now, exhibition catalog edited by Noami Beckwith and Dieter Roelstraete, MCA Chicago, 2015
    Selection, edited by Patrice Joly and Aude Launay, Zerodeux editions, Nantes, 2015
    Over You / You – Nad Tabo / Ti, 31st Biennial of Graphic Arts Ljubljana, exhibition catalog edited by Stella Bottai and Nicola Lee, MGLC editions, Ljubljana, 2015.
    My Epidemic (texts on my work and the work of other artists), edited by Thomas Boutoux and Lili Reynaud-Dewar, Paraguay Press, Paris, May 2015
    All The World’ s Futures, 56th Venice Biennial, exhibition catalog edited by Okwui Enwezor, Biennale di Venezia, Venise, May 2015

  • 2014

    Lili Reynaud-Dewar, Live Through That ?! Monograph edited by Helga Christofferssen, New Museum, New York, 2014
    The Crime Was Almost Perfect, exhibition catalogue edited by Cristina Ricupero, Defne Ayas, Amira Gad, Witte de With Publishers and Sternberg Press, Rotterdam,Berlin, 2014.
    The Fifth Dimension, exhibition catalogue edited by Monika Szewczyk, Logan Center for the Arts, Chicago, 2014
    Une Histoire - Art, architecture, design des années 1980 à nos jours, exhibition catalog edited by Christine Macel, Centre Pompidou, Flammarion, Paris, Juin 2014.
    Morality, in Fragments, exhibition catalogue, Witte de With Publishers, Rotterdam May 2014

  • 2013

    The Shadows Took Shape, exhibition catalogue edited by Naima J. Keith and Zoe Whitley, Studio Museum Harlem and Content Object, Los Angeles, December 2013
    Notes on the Magic of the State, exhibition catalogue edited by Antonia Alampi, Jens Maier-Rothe, Sarah Rifky, Sylvia Sgualdini, Lisson Gallery, London and Beirut, Cairo, October 2013
    La vie matérielle, exhibition catalogue edited by Yann Chateigné, editions Fondation Ricard pour l’ art contemporain, Paris, Août 2013.
    Now, Suddenly and Then, 12th Lyon Biennial, exhibition catalogue edited by Thomas Boutoux and Gunnar B. Gvaran, Les Presses du réel, Dijon, 2014.
    L’ange de l’ histoire, exhibition catalogue edited by Nicolas Bourriaud, Beaux-Arts de Paris editions, Paris, April 2013

  • 2012

    Politique Fiction, exhibition catalog edited by Alexandra Midal, Cité du Design, Saint-Etienne, 2012
    Counter-Production, digital publication edited by Diana Baldon and Ilse Lafer, Generali Foundation, Vienna, 2012
    Cosmic Laughter n°1. Timewave Zero, then what ?, exhibition catalogue edited by Fabian Marti and Cristina Ricupero, Ursula Blilckle Foundation, Sternberg Press, Berlin, 2012
    Intense Proximité, Une Anthologie du Proche et du Lointain, exhibition catalogue edited by Melanie Bouteloup, Okwui Enwezor, Abdellah Karoum, Emilie Renard, Claire Staebler, La Triennale / Palais de Tokyo / CNAP, Paris, 2012
    Lili Reynaud Dewar, Interpretation, edited by Benjamin Thorel and Adam Szymczyk, Paraguay Press Paris and Kunsthalle Basel, 2012.
    Cosey Complex, edited by Richard Birkettt and Maria Fusco, Koenig Books, 2012
    Before « This is my place », conversation with Lili Reynaud-Dewar, exhibition publication edited by Yves Aupetitallot & Lili Reynaud-Dewar, Le Magasin, Grenoble, 2012

  • 2011

    Scene Shifts, edited by Sara Arrhenius och Magnus Florin, Bonniers Konsthall, Stockholm, 2011
    The End of Money, digital exhibition publication edited by Juan A. Gaitán, Witte de With, 2011

  • 2010

    Rotterdam Dialogues, The Critics, The Curators, The Artists, edited by Zoe Gray, Miriam Kathrein, Nicolaus Shafhausen, Monika Szewczyk, Ariadne Urlus, Witte de With Publishers / Post Edition, Rotterdam, 2009.
    Creamier, Contemporary Art in Culture, Szymczkyk, Adam, Phaidon Press, London.

  • 2009

    The Pursuit of Pleasure, with Latifa Echakhch, exhibition catalog edited by Salvatore Lacagnina, Barriera Fondation, 2009

  • 2008

    When things cast no shadow, 5th Berlin Biennial for Contemporary Art, exhibition catalog edited by Elena Filipovic and Adam Szymczkyk, KW Institute for Contemporary Art, Berlin, 2008

  • 2007

    00s, L’ histoire d’ une décennie qui n’ est pas encore nommée, 8th Biennale de Lyon exhibition catalogue edited by Stéphanie Moisdon and Hans Ulrich Obrist, Presses du réel, Dijon, 2007
    The Freak Show, exhibition catalogue, Musée d’ art contemporain de Lyon, 2007
    Ultramoderne, exhibition catalogue edited by Yann Chateigné, Hall Paul Wurth, Luxembourg & La passerelle, editions La Passerelle, Brest, 2007
    Madame la baronne était plutôt maniérée, assez rococo et totalement baroque, exhibition catalogue edited by Emilie Renard, Maison Populaire de Montreuil, Centre d’Art Mira Phalaina, Montreuil, 2007

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